Hitching a Ride with DialogueYou probably know what dialogue is. Even if you've never thought about it in fancy, official terms like "dialogue in writing is the representation of speech between two or more speakers", and have always thought of it more like "people talking", you more or less have the gist of it. Sometimes authors can pull off a story that forgoes dialogue, but those are in the firm minority. The fact that dialogue is such a widely used device means there are a few rules to it, most of which are easy. However, this fact has never stopped people like you or I from royally messing them up.
So, how does it work?
There are four basic aspects to dialogue:
1. Each new speaker gets a new line.
"So," continued Ford Prefect, "if you would just like to come over here and lie down..."
"What?" said Mr Prosser.
"Ah, I'm sorry," said Ford, "perhaps I hadn't made myself fully clear. Somebody's got to lie in front of the bulldozers, haven't they? Or there won't be anything to stop them drivi
PE: The Impact of Color1. - WHAT IS COLOR?
Color is the aspect of things that is caused by differing qualities of light being reflected or emitted by them, as received by the human eye and processed by the human brain. It is a function of light and biology, not an exact science, no two people can see it exactly the same.
The human eye and brain together translate light into color. Light receptors within the eye transmit messages to the brain, which produces the familiar sensations of color. Newton observed that color is not inherent in objects. Rather, the surface of an object reflects some colors and absorbs all the others. We perceive only the reflected colors. Thus, red is not "in" an apple. The surface of the apple is reflecting the wavelengths we see as red and absorbing all the rest. An object appears white when it reflects all wavelengths and black when it absorbs them all.
"Colors are the deeds of light, its deeds and sufferings."
(Johann Wolfgang von Goethe)
Painting With A Knife!Painting With A Knife!
You all may have seen those old masterpieces – painted in impasto techniques with rich and bold use of thick coats of colours and you have wondered how on earth they could do that.
So lets take a peek in the old masters' tools and techniques.
Today we will talk about a less used traditional technique – painting with a knife. Though it's a second most famous technique but not much artists use this technique.
Painting with a knife results in excellent textures, helps in bold application of thick rich colours, and, gives a whole new different level and style to your paintings.
Painting knives are very useful in impasto technique – both in acrylics and oils. Besides interesting textures, this certain tool gives you more control over paint and opens up a lot of ways to experiment. In one sentence, painting with a knife brings up your painting styles at a new height.
PE: Tutorials for Growing Manga ArtistsBackground
Cloud Tutorial Part 1 by yuumei Cloud Tutorial Part 2 by yuumei Grass tutorial by Sadir89 Grass brush settings - tutorial by ryky water tutorial by kuro-mai water splash tutorial by Caucasian-eagle Easy Water tutorial by ryky
Waves Tutorial by B1nd1 Background Tutorial 2 by Tervola 3D background Tutorial by yuumei Cloud Tutorial by Dea-89
For Anime and Manga backgrounds you can use the regular Digital Art and Traditional Art tutorials based on backgrounds.
Hand Tutorial -Tips+Reference- by Qinni Foot tutorial by shingworks +TUTORIAL-Feet drawing guide+ by goku-no-baka + Tutorial - Hands + by goku-no-baka Feet Reference by Ninjatic Hands Reference I by Ninjatic Hands Reference II by Ninjatic